Marina Rosenfeld: Amplification

The Artists’ Institute
132 E. 65th Street
New York, NY

February 21 – March 30
Opening Reception: February 21, 6-8pm

Marina Rosenfeld creates sound systems. Sometimes these are performances for military orchestras or for rows of earbud-linked teenagers; at other times they take the form of physical interventions into sites, charging various objects (bass cannons, PA loudspeakers, or microphone clusters) with the tasks of amplification and reproduction. In every instance, Rosenfeld carefully attends to the distribution and directionality of amplified bodies in space, considering the relations of power that these arrangements concretize and contest. Eschewing sound as transmission—the authoritative, unidirectional pronouncement—Rosenfeld explores the disruptive, feminist potential of machinic propagation. She programs unruly flows of sonic material in closed circuits or recursive, feedback-prone systems, interrupting the silence of the white cube with momentary eruptions of noise and vocality.

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